Sunday, March 29, 2009
reflection
Reflection
Reflection
Reflection
Reflection
Reflection
Reflection
Saturday, March 28, 2009
Reflection
Reflection
reflection
Thursday, March 26, 2009
Reflection
Tuesday, March 24, 2009
WEEK 5 REQUIREMENTS
Sunday, March 22, 2009
Question
Question
Question
Question
Week Four Question
Question
Question
Saturday, March 21, 2009
A New question
Trond and the mechanic discuss the impact their fathers had on them. Trond and his father seem so different and don't seem to connect. What impact do you think Trond's father had on him?
My Question
Question
Thursday, March 19, 2009
question
Tuesday, March 17, 2009
Week Four
For this week's blog you will post a thought-provoking question that does not have only one answer. Remember that you must make 10 comments this week, not 5. Please do not leave this until the last minute, you have the whole week to get it done.
Sunday, March 15, 2009
Literary Aspects
literary aspects
imagery
Literary Aspects, Imagery
Imagery
Figurative Language
"...my head was empty, no thoughts, everything quite clean and the sky transparently blue, and I didn't know what I was called or even recognise my own body. Unnamed, I floated around looking at the world for the first time and felt it strangely illuminated and glassily beautiful, and then I heard a whinny and thundering hooves, and it all came back like a whirring boomerang and hit me on the forehead with a crack..."
In this passage there is a similie used comparing a boomerang and a the quick comemoration of what just happened. Also, there are many different pictures present in this passage. Petterson incoorporates different pure scenes where the sky is transparently blue, everything is quite clean, and there were no thoughts. It gives the reader images to put into their brain, and put themselves in the spot of Trond. This event of Trond falling is one of various significant events that includes figurative language, while other lesser events get staight to the facts and information. Throughout the book, the text is explained right to the point and there is not much figurative language.
Imagery
Week 3
The voice of Trond in this novel is a significant literary element. His voice is particularly informing when Trond is interracting with others and through his view of others. Trond's voice is a key descriptor of his personality. Trond goes off on a tangent: "Presumably I had seen it on a film... But I hate being entertained... Anyway, I did not learn to sharpen a chainsaw from my father" (72). Trond started by telling of his past and watching others with chainsaws. Then he goes on to a tangent about entertainment before finally making his point. This portrays Trond as a storyteller. He feels the need to share background information. His voice in this quote allows one to understand him better. This quote also shows that Trond enjoys factual things rather than emotions. He shares all that he did but not his emotions. Similarily Petterson does not create Trond as an emotional person.
Word Choice
Literary Aspects
Another interesting technique that Petterson uses is short, concise sentences to show emphasis. On page 139, he begins the chapter, "I sit on the bench for a long time gazing out over the lake. Lyra is running about. I don't know what is happening. Something slides off me. The nausea has gone, my thoughts are clear. I feel weightless. It is like being saved. From shipwreck, from obsession, from evil spirits." Though he is skipping around a little bit, it is clear to the reader why these thoughts are going through his head and makes the reader think deeply about them as well. If he used longer statements and explained every thought, it wouldn't be as personal, or thought-provoking.
Literary Aspects (Imagery)
Literary Aspects
Literary Aspects
Literary Aspects
The most prevalent literary aspect in Per Petterson’s Out Stealing Horses, is imagery. Petterson’s vivid descriptions help the reader to appreciate the sometimes slow-moving story line, as we are able to let his eloquent imagery really sink in. With lines such as “The rack stood as if it had been there forever across the landscape and lit by the sun with its long shadow behind it, and in harmony with every fold of the field and finally turned into mere form, a primordial form” (66) it is easy to imagine the very scene that Trond is describing. Petterson does not use a large amount of dialogue so it is particularly crucial that his use of imagery is so effective. By using imagery, Petterson allows Trond’s story to read like a diary entry, and less like a script. Although many of his readers have never been to Norway, and most likely don’t know what a “hay rack” (66) is, we are still able to connect to the story because of the powerful imagery. Readers are able to gain an insight into aspects of Norwegian culture and lifestyle that we would otherwise know nothing about. IT is because of the beautiful and vast amount of imagery in Out Stealing Horses that make it such a reverent and enjoyable novel.
Tuesday, March 10, 2009
Week Three
This week's discussion will be on figurative language and literary elements in your book. Please find an example of these in your book and POST a 10-sentence comment on it. Don't forget to comment on 5 other posts on this blog. You have all week to complete this assignment, please don't wait until the last minute.
Sunday, March 8, 2009
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Setting
Though setting is not something that Per Petterson dwells extensively on, he uses such eloquent language is describing the location of our characters that it is almost impossible not to be able to picture the events of Out Stealing Horses in your head. What makes his descriptions of setting so successful is his ability to go from broad to intricate details in the same sentence. Trond seems confined to his small town life as a child, and as an adult he delights in his little house in the woods. The small town aspect of the book allows for much contention, such as the unknown (as through chapter 6) dispute between Jon and Trond’s fathers. On the other hand, small town life does have its advantages, such as when the friendly mechanic gives him the name of a neighbor to plow his driveway. Another advantage of small-town living is that the whole community works together to help each other harvest the hay and pine trees. Petterson’s description of setting effortlessly fills the pages, only interrupted briefly by dialogue. For much of the book, Trond and his father have a quiet relationship, but the true joy shared among them is first seen when they go dancing in the storm. “We stopped on the threshold under the eaves and saw water pounding the ground all about us, It was an impressive, almost intimidating sight, and for a moment we just stood there, staring”(92). One can visualize the astounding sight of the storm just outside the Sanders’ small cabin on the hill. So far in the book, Per Petterson’s effortless integration of setting helps to further enhance the compelling story.
Saturday, March 7, 2009
Setting
Setting
#2 Post
Thursday, March 5, 2009
Setting
Monday, March 2, 2009
Character
I just read the passage of the book when Trond and Jon are stealing horses and Trond gets injured, then is bucked off his horse and injured yet again. I think it shows a lot about Trond's character that he would trust Jon like he does in this scene. After falling from his horse over a fence, Trond is laying on the ground, thinking he is paralysed. Jon approaches him on his horse, disagrees and demands that he stand up. Trond obeys. This shows that Trond is trusting; but is he too trusting? Or just trusting enough to live recklessly like this, after running away from home like he has? Will this turn out to be Trond's fatal flaw/hamartia?
Week Two
This week's discussion is on Setting. Please POST a 10-sentence comment on setting. Don't forget to comment on 5 other posts on this blog. You have all week to complete this assignment, but waiting is not recommended!